Stories of romantic love are everywhere, but the actor, singer and comedian Bridget Everett says great friendships deserve our time and attention, too. Not just onscreen, but in reality. On the HBO Original series “Somebody Somewhere” (now in its third and final season), Everett stars as Sam, a character inspired by the actor’s own life. She tells Anna about how heartbreaking, hilarious and central platonic friendship is in the fictional world of the show, and in Everett’s own relationships. Everett also reads a Modern Love essay called “When Your Greatest Romance Is a Friendship,” by the novelist Victor Lodato. Lodato was in his 40s when he accidentally found his “person,” and became the platonic life partner of an artist in her 80s who lived across the street. “Somebody Somewhere” is now streaming on Max. In April 2024, Lodato published “Honey,” a novel inspired by Austin Brayfield, the friend he wrote about in his essay. Want to leave us a voice mail message on the Modern Love hotline? Call (212) 589-8962‬, and please include your name, hometown and a callback number. How to submit a Modern Love Essay to The New York Times How to submit a Tiny Love Story Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

The actress and producer Mayan Lopez has seen a majority of her life play out on television. Her father, the comedian George Lopez, produced and starred in a hit ’90s sitcom based on his real-life relationship with Ann Serrano, Mayan’s mother. But their fictionalized story became a reality when she watched her parents go through a very messy, public divorce. The experience could have shattered the family beyond repair. But more than a decade later, Mayan and her father have turned their painful experience into another sitcom on NBC, based on their relationship. It’s all very meta. The show is called “Lopez vs. Lopez.” Mayan reads a Modern Love essay about a daughter who also watched her parents’ marriage fall apart, but then as an adult sees them repair their relationship. The essay, “The Original Conscious Uncouplers,” by Cole Kazdin, explores what it means to redefine what a family means after divorce. Want to leave us a voice mail message on the Modern Love hotline? Call (212) 589-8962‬, and please include your name, hometown and a callback number. How to submit a Modern Love Essay to The New York Times How to submit a Tiny Love Story Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Madeline de Figueiredo lost her husband, Eli, just a year after they married. After his death, she tried everything she could to reconnect with him: cooking from his recipe book, dancing to playlists he made, watching videos of him and listening to voice mail messages he left her. But her grief persisted. Then, on what was supposed to be Eli’s 27th birthday, Madeline realized she could use A.I. to recreate his voice and try to talk to him again. On this episode of the “Modern Love” podcast, Madeline tells us what it felt like to hear that recreation of Eli’s voice, and how it changed the way she reconnects with him. This episode is adapted from Madeline’s Modern Love essay from 2024, “Our Last, Impossible Conversation.” We want to hear from you! We’re looking for stories, thoughts and feelings about egg freezing. Are you planning to freeze your eggs? What are you considering? Have you frozen your eggs? What happened, and how do you feel about it now? Leave us a voice mail message on the Modern Love hotline at (212) 589-8962‬. Please include your name, hometown and a callback number. Want to submit your own Modern Love essay to The New York Times? Read how, or consider submitting a Tiny Love Story. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Whether it’s Cher or Paul Mescal, Amelia Dimoldenberg can turn her “dates” at a fast-food restaurant into chemistry-fueled, revealing interviews. The dates may be fake, but viewers are always left with the impression that the celebrity guest would probably be game for a second one. Amelia reads a Modern Love essay from Rachel Fields, who is not sure how her last date has gone. After sending a risky text message, Rachel’s insecurities cloud her morning routine as she waits for a response. Amelia offers tips on how to soothe the anxieties that creep up in the early phases of dating, and how to feel confident throughout the process. Her show, “Chicken Shop Date” is celebrating its 10th anniversary this month. Want to leave us a voice mail message on the Modern Love hotline? Call (212) 589-8962‬ and please include your name, hometown, and a callback number in your message. How to submit a Modern Love Essay to The New York Times How to submit a Tiny Love Story Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

In the new movie “We Live in Time,” the actor Andrew Garfield plays a newly divorced man named Tobias who falls in love with a chef named Almut, played by Florence Pugh. Their story feels epic and expansive, but still intimate. It focuses on the small, everyday moments that make up a love story: washing dishes together after a dinner party, sharing biscuits, smelling fruit at a farmers’ market. These are the moments that sustain them through Almut’s excruciatingly difficult medical crisis. In this episode, Garfield reads the Modern Love essay “Learning to Measure Time in Love and Loss,” by Chris Huntington. His reading was unlike any other in the history of this show. Mr. Garfield was so moved by Mr. Huntington’s essay that he spoke in a surprisingly raw way with the host Anna Martin about the need for art to crack us all open, including himself. We want to hear from you! This year is the 20th anniversary of the Modern Love column, and we want to know what impact reading the column has had on you. Has reading Modern Love made a difference in how you think about your own relationships? How? Tell us by leaving a voice mail message at (212) 589-8962‬. Please include your name, hometown and a callback number, and you might hear yourself on a future episode. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Courtenay Hameister worked hard to stop feeling shame about her body size, but she also had a cruel inner monologue that just wouldn’t leave her alone. At times, her internalized fatphobia was so powerful, she couldn’t think about romance at all. But when Courtenay started dating Jason, everything felt different. He was fat, too, as well as smart, funny, and handsome. When Courtenay realized she was starting to gain weight again, though, she became obsessed with the idea that other people were judging her and Jason, and she made a decision she would immediately regret. This episode is adapted from her 2023 essay “Were We the ‘Fat Couple’?” Leave a message on the Modern Love hotline! This year (2024) is the 20th anniversary of the Modern Love column, and we want to know what impact it has had on you. Has reading Modern Love made a difference in how you think about your own relationships? How? Tell us in a voice mail message at (212) 589-8962‬. Please include your name, location and callback number, and you might hear yourself on a future episode. How to submit a Modern Love Essay to The New York Times How to submit a Tiny Love Story Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

On the HBO high finance drama “Industry,” basically everyone serves cruel insults. It’s part of the culture at their bank, Pierpoint. But Myha’la’s character, Harper Stern, goes after friends and enemies with deep, cutting verbal attacks. Myha’la reads a Modern Love essay by a woman with the opposite problem: Laura Pritchett and her husband have avoided conflict for so long, she writes, that the fights they’re not having are tearing them apart. Myha’la also tells the host, Anna Martin, about the kind of communication style she strives to maintain, and what it’s like when she and her fiancé, Armando Rivera, find themselves in a fight. The Season 3 finale of “Industry” drops Sunday night on HBO. Laura Pritchett has written seven novels, including her latest, “Three Keys.” Want to leave us a voice mail message on the Modern Love hotline? If so, please include your name, your hometown and a callback number in your message: (212) 589-8962‬ How to submit a Modern Love essay to The New York Times How to submit a Tiny Love Story Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Actor Peter Gallagher (Sex, Lies, & Videotape and The O.C.) met his wife, Paula Harwood, over forty years ago in college in a stairwell meet-cute. Since then, they’ve maintained a loving marriage and managed to raise a family while navigating the world of show business. We talked to Peter on his 41st wedding anniversary, and he read us the Modern Love essay “Failing in Marriage Does Not Mean Failing at Marriage” by Joe Blair. Despite the essayist being kicked out of the house by his wife five times, the couple managed to remain married and learn that a relationship can mean trying together and failing together. Reflecting on the essay, Peter gave us his advice for staying the course. Peter Gallagher will be performing on Broadway this fall in Delia Ephron’s play ‘Left on Tenth.’ Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

On the Emmy- and Peabody-winning series “The Bear,” Liza Colón-Zayas plays Tina Marrero, a cook at the Chicago restaurant at the center of the story. Tina and her fellow workers are in a constant struggle for the survival of their restaurant, and they fight just as fiercely with one another. Only at rare moments do we see them drop the tough exterior and show one another love or respect. Today, Colón-Zayas reads “A Web Between Her Body and Mine,” by Karen Paul. It’s a Modern Love essay about two friends who also met at work, but have a different kind of bond: Karen has no problem showing affection to her best friend, Miriam. But after Miriam has a terrible accident, Karen finds herself in uncharted territory, not certain when, or how, to support her. It’s a story Colón-Zayas says she relates to personally, and her reaction to it takes her by surprise. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Emily Ratajkowski is doing a balancing act many famously beautiful women have to perform. In her 2021 book “My Body,” she reflects on what it’s been like to build a career based on her public image, and her struggle to control that image in an industry largely run by men. Since getting divorced a few years ago, she’s been thinking a lot about gender dynamics and the type of agency she wants to have in dating, too. Today, Ratajkowski reads “Why I Fell for an ‘I’m the Man’ Man,” by Susan Forray. Forray is also a successful, self-sufficient woman, dating after divorce. She’s surprised to find herself falling for a man with old-fashioned ideas about who does what in a relationship. (He pays for dinner, handles the finances and initiates sex). As a single mom who handles everything, Ratajkowski says, she can relate to the desire to be cared for once in a while. And that doesn’t have to mean playing into a sexist stereotype. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Laufey, the 25-year-old singer-songwriter, has risen to prominence by taking the trials of today’s dating world — casual relationships, no labels and seemingly endless swiping on apps — and turning them into timeless love songs. Today, Laufey reads Coco Mellors’s essay, “An Anxious Person Tries to Be Chill,” which is about a woman trying to work through her deep-seated relationship anxieties and attachment issues in an on-again, off-again situationship. Laufey says she, too, has been an anxious partner. While she thinks a toxic relationship, like the one in the essay, can make for a great love song, she now knows secure relationships can make beautiful music, too. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

The actor John Magaro is picky about whom he goes to dinner with. Magaro is an adventurous eater. So whether he’s buying offal from the butcher, making stews from the 1800s or falling in love over a plate of rabbit, he says it’s important to him that the people he shares a meal with are willing to be curious. For Magaro, it’s about more than personal preferences. Sharing a meal and connecting with other people, he says, is the bedrock of society. Magaro played Arthur in “Past Lives,” one of our favorite movies last year. His character is constantly working to understand his wife on a deeper level. And Magaro sees that quality in “My Dinners With Andrew,” by Sara Pepitone, a Modern Love essay about food as a love language, and a series of dinners that make, and break, two relationships. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.