Miranda July Knew Exactly What She Was Doing
Modern Love
It’s been almost a year since Miranda July released her hit novel, “All Fours.” The novel features a woman in her mid-40s who heads out on a solo road trip across the country, only to stop at a roadside motel 30 minutes from her home. She winds up staying there for three weeks, exploring and questioning what she actually wants and needs out of midlife, things she can’t really focus on when she’s busy being a wife, a mom and a working artist. In the motel, she redecorates the room, designs her days the way she wants to and gets in touch with her changing desires.
In the past year, this book has become a touchstone for how our culture addresses women in perimenopause. It’s expanded beyond the page to a kind of movement. Soon after the book’s release, women started writing to July with their own stories. She started a Substack to keep those conversations going. People organized discussion groups all over the world called All Fours Group Chats. Hats were made. “All Fours” was shortlisted for the National Book Award, and it’s currently being adapted into a limited TV series. The paperback version of the novel will be released May 13.
In this week’s episode of Modern Love, July talks about the anger and desire that shaped the writing of “All Fours.” And she reflects on why this novel is inspiring to some, and threatening to others, in this cultural moment.
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