疲惫娇娃 CyberPink
078 | 刘玉玲新片:优绩主义东亚家庭里,残障没有退路吗? 'Rosemead', 'Take me home', and telling stories about caregiving
73分钟
6,249
2周前
主播
节目简介
来源:小宇宙
【聊了什么The What】
小杨、小蓝与友台残言片语主播八如一起聊了两部关于残障与照护的电影:刘玉玲主演的《柔似蜜》(Rosemead) 与圣丹斯今年新出的口碑佳作《带我回家》(Take Me Home)。
讲述残障者的故事,很难绕过照护者的故事,也很容易陷入苦大仇深的叙事漩涡;毕竟社会给残障者的资源那么少,而在资源的匮乏中能讲出的故事常常是《柔似蜜》中描绘出的毁灭性的绝路。而《带我回家》则通过一种模糊虚构与真实的即兴手段,让残障演员在故事中展现全新的创作方式。或许这种匮乏并不是必须的,或许优绩主义的亚裔家庭不一定要把残障视为绝路,或许电影人能给出的激进的想象能够推动我们重塑现实,毕竟生而为人我们终将是脆弱的。
In this episode we are joined by Baru from our friend at 残言片语 to discuss two films about disability and caregiving: Rosemead, starring Lucy Liu, and Take Me Home, a critically acclaimed new Sundance film.
When telling stories about disabled people, it is hard to avoid telling the stories of caregivers as well. It is also easy to fall into a heavy, tragic narrative spiral. After all, society offers so few resources to disabled people, and from within that scarcity, the kinds of stories that emerge often look like the devastating dead end portrayed in Rosemead. Take Me Home, by contrast, uses an improvisational approach that blurs fiction and reality, allowing disabled actors to reveal a wholly different creative mode within the film itself. Perhaps this scarcity is not inevitable. Perhaps, in high-achieving Asian families, disability does not have to be treated as a dead end. Perhaps the radical imagination offered by filmmakers can help us reshape reality—because as human beings, we are all ultimately fragile.
【时间轴 The When】
* 00:00 - 两部电影的初观感
* 08:11 - 《柔似蜜》:真实的悲剧还是缺乏想象力的“绝路”
* 19:01 - 《待我回家》中的姐姐角色:拒绝牺牲自我,寻找更长久的方案
* 31:01 - 《待我回家》的激进结局
* 36:39 - 导演 Liz Sargent 谈“激进的想象力”(Radical Imagination)
* 45:53 - 电影工业能够多大程度上支持残障演员
* 55:31 - 心理健康与精神健康在政策支持上的滞后性
* 59:11 - 亚裔社区的“家丑”观与优绩主义
* 71:14 - 人类本来就是脆弱的
* 00:00 – First impressions of the two films
* 08:11 – Rosemead: a true tragedy, or a “dead end” shaped by a failure of imagination
* 19:01 – The sister character in Take Me Home: refusing self-sacrifice and searching for a more sustainable path
* 31:01 – The radical ending of Take Me Home
* 36:39 – Director Liz Sargent on “radical imagination”
* 45:53 – To what extent the film industry can support disabled actors
* 55:31 – The lag in policy support for mental and psychological health
* 59:11 – The Asian community’s view of “family shame” and meritocracy
* 71:14 – Human beings are fragile to begin with
【买咖啡 Please Support Us】
如果喜欢这期节目并愿意想要给我们买杯咖啡:
* 海外用户:https://www.patreon.com/cyberpinkfm
* 海内用户:https://afdian.com/a/cyberpinkfm
* 商务合作邮箱:[email protected]
* 商务合作微信:CyberPink2022
If you like our show and want to support us, please consider the following:
* Those Abroad: https://www.patreon.com/cyberpinkfm
* Those in China: https://afdian.com/a/cyberpinkfm
* Business Inquiries Email: [email protected]
* Business Inquiries WeChat: CyberPink2022
Support on Patreon | 爱发电上赞助
小杨、小蓝与友台残言片语主播八如一起聊了两部关于残障与照护的电影:刘玉玲主演的《柔似蜜》(Rosemead) 与圣丹斯今年新出的口碑佳作《带我回家》(Take Me Home)。
讲述残障者的故事,很难绕过照护者的故事,也很容易陷入苦大仇深的叙事漩涡;毕竟社会给残障者的资源那么少,而在资源的匮乏中能讲出的故事常常是《柔似蜜》中描绘出的毁灭性的绝路。而《带我回家》则通过一种模糊虚构与真实的即兴手段,让残障演员在故事中展现全新的创作方式。或许这种匮乏并不是必须的,或许优绩主义的亚裔家庭不一定要把残障视为绝路,或许电影人能给出的激进的想象能够推动我们重塑现实,毕竟生而为人我们终将是脆弱的。
In this episode we are joined by Baru from our friend at 残言片语 to discuss two films about disability and caregiving: Rosemead, starring Lucy Liu, and Take Me Home, a critically acclaimed new Sundance film.
When telling stories about disabled people, it is hard to avoid telling the stories of caregivers as well. It is also easy to fall into a heavy, tragic narrative spiral. After all, society offers so few resources to disabled people, and from within that scarcity, the kinds of stories that emerge often look like the devastating dead end portrayed in Rosemead. Take Me Home, by contrast, uses an improvisational approach that blurs fiction and reality, allowing disabled actors to reveal a wholly different creative mode within the film itself. Perhaps this scarcity is not inevitable. Perhaps, in high-achieving Asian families, disability does not have to be treated as a dead end. Perhaps the radical imagination offered by filmmakers can help us reshape reality—because as human beings, we are all ultimately fragile.
【时间轴 The When】
* 00:00 - 两部电影的初观感
* 08:11 - 《柔似蜜》:真实的悲剧还是缺乏想象力的“绝路”
* 19:01 - 《待我回家》中的姐姐角色:拒绝牺牲自我,寻找更长久的方案
* 31:01 - 《待我回家》的激进结局
* 36:39 - 导演 Liz Sargent 谈“激进的想象力”(Radical Imagination)
* 45:53 - 电影工业能够多大程度上支持残障演员
* 55:31 - 心理健康与精神健康在政策支持上的滞后性
* 59:11 - 亚裔社区的“家丑”观与优绩主义
* 71:14 - 人类本来就是脆弱的
* 00:00 – First impressions of the two films
* 08:11 – Rosemead: a true tragedy, or a “dead end” shaped by a failure of imagination
* 19:01 – The sister character in Take Me Home: refusing self-sacrifice and searching for a more sustainable path
* 31:01 – The radical ending of Take Me Home
* 36:39 – Director Liz Sargent on “radical imagination”
* 45:53 – To what extent the film industry can support disabled actors
* 55:31 – The lag in policy support for mental and psychological health
* 59:11 – The Asian community’s view of “family shame” and meritocracy
* 71:14 – Human beings are fragile to begin with
【买咖啡 Please Support Us】
如果喜欢这期节目并愿意想要给我们买杯咖啡:
* 海外用户:https://www.patreon.com/cyberpinkfm
* 海内用户:https://afdian.com/a/cyberpinkfm
* 商务合作邮箱:[email protected]
* 商务合作微信:CyberPink2022
If you like our show and want to support us, please consider the following:
* Those Abroad: https://www.patreon.com/cyberpinkfm
* Those in China: https://afdian.com/a/cyberpinkfm
* Business Inquiries Email: [email protected]
* Business Inquiries WeChat: CyberPink2022
Support on Patreon | 爱发电上赞助
小宇宙热评
Mars98563
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00:07 https://www.xiaoyuzhoufm.com/episode/69ae6114b54f27b56a5df9da
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请大家多多关注支持我们的好朋友 残言片语!!https://www.xiaoyuzhoufm.com/podcast/6730c7f1f373fe5d4d29dd0a
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00:07 https://www.xiaoyuzhoufm.com/episode/69b235279e77d8f89ffb3065
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想娃了娃就更新,真幸福!🤩
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我二舅就是智力障碍,一直跟着我外婆生活。小学的时候家人会派他来接我放学,但我同学会因此嘲笑我,后来我就不愿让他来接了,现在想想觉得挺愧疚:(他以前也做过一些比如给别人看自行车这种工作,但因为他不懂事也不识数,经常会被人欺负,我外婆也因为他操了一辈子心。感觉这个社会要做的还有很多…
CareyMercury
2周前
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4
我在这门课disability studies and media 里写的作业引用了这期播客。
香蕉没有坏心眼
2周前
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会讲呼啸山庄吗!
pp_xyz
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39:00 the power of imagination 🥹
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2周前
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难道亚裔无论如何都想活,才是更典型的需要讨论的心态吗。。。
tttianest
2周前
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哈哈哈哈我想提问 小蓝这期的声音为什么和之前不一样了呀
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12:22 这里我个人觉得不算是母亲对精神病的恐惧 我感受她更恐惧的是她害怕儿子去伤害其他人而被抓起来 从她找求助中心帮忙就非常警惕警察的介入感受到的
pp_xyz
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17:17 真的诶 这样的处理更有针对性
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49:09 https://www.xiaoyuzhoufm.com/episode/68c37a81f11c7016b9dbb224
不重要吗
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女娃们会聊呼啸山庄吗🔍🔍
HD329803z
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请问很meta是什么意思?褒义还是贬义?
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38:23 一开始这个“yeah”一进来以为是yifang的声音哈哈哈都是很有磁性
HD610114w
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1:12:31 很喜欢这个画面 很好的隐喻 人和人都是这样的链接在一起
辣椒坛子
2周前
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10:47 这里我个人觉得不是导演没看到这一点 而是东亚文化里可能就接受不了孩子是精神分裂症的孤儿 她对国外的支持系统认知的匮乏和抵触也有一些提及
杨苇泉
1周前
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好奇八如是神经多样吗🤔也可能是精神方面的一些经历?总之说话方式和我有时候有点像😂
Mollieee
2周前
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0
这集播客的简介是把75集的简介内容直接复制过来了,主播可以改一下吗