This is another English version of ITR. I am joined by Chris to talk about Diary of a Mad_Man, adapted by Facing the gap Youth Theatre, and A Real Story of Ah-Q, written by Chris and Performed by Jian Xue Theatre Co-operative.
Chris is a British playwright for children and young people and an outstanding practitioner and theorist of educational theatre and drama. We became colleagues and soon became friends since 2009. He is one of those people with an incredible energy and focus but also one of the few people who I feel I could depend on, intellectually, artistically, and personally. I learn constantly from talking to him and our conversations were one of the main forces to keep me on.
If you are willing to acquire the text for this conversation, please scan the QR code below.
如果你想获得本次英文播客的对话原文，请微信扫码获取文字资料。
[图片]
—— Cao Xi
Shownotes
Writing process of Diary of a Mand_Man
Why Lu Xun still resonates for young people and our society today
The ethics of putting real names onstage
Against the tide of forgetting - Lu Xun's tenets
Memory deletion - social reality of Madman performance
Cannibalism 2.0 social media, emotion trap of technology
Insitutional logic of forgetting,or not presencing
Dopamine economy and how drama and theatre conuteract it
Affect!It's all about fellings
《狂_人日记》演出剧照
后期|曹曦
文字编辑｜张紫含
音乐丨《第七章》by 狂人日记乐队