#22 Screenwriting for Chinese audiences

Middle Earth - China’s cultural industry podcast

Send us a text What is it like to work as a storyteller in the Chinese film and TV industry? What is the relationship between producers and scriptwriters? How can one write a story that will resonate with Chinese audiences, and what is the market looking for? This podcast, recorded live at the The SLab in Beijing, explores these questions and the trials and tribulations of writing for the big screen. Featuring: Cai Jinru | 薄荷菜 : Screenwriter Jordan DeFazio : Screenwriter & Lecturer at the Beijing Film Academy Joey Wang : Screenwriter Middle Earth is made by China Compass Productions and hosted by Aladin Farré. If you have a China-themed cultural project like shooting your next documentary or look for a specific talent, please get in touch! Recommended watching: - Jordan’s Music Video - I Love My Family 我爱我家 (1994) - Nothing in the Mirror 空镜子 (2002) - My Own Swordsman 武林外传 (2006) - Dwelling Narrowness 蜗居 (2009) - Nirvana in Fire 琅琊榜 (2015) -Burning Ice 无证之罪 (2017) Answers to the episode quiz:- - Yanxi Palace( 延禧攻略) is the TV show that has been the most Googled in 2018. - There has been 29 cinematographic adaptations of Journey to the West over 9 decades. - Looper (2012) was the first film to make additional scenes for the Chinese audience. It was followed in 2013 by “Iron Man” and “21 and Over”. With thanks to Brenden Gonsalves for graphic design & Sean Calvo for music support.

62分钟
2
6年前

#20 Making a Metropolis: Contemporary Chinese Architecture and Urban Planning

Middle Earth - China’s cultural industry podcast

Send us a text The pace of urbanization in contemporary China is nothing short of dizzying. Seventy years ago, at the time of the establishment of the People’s Republic of China, 80% of the population were farmers based in rural areas. Now, over 60% of all Chinese citizens live in cities of various sizes, and it is projected that by 2030, the number of urban dwellers will exceed 1 billion. As one would expect, the challenges that these dynamics pose to Chinese architects and urban planners are staggering. So how do these beleaguered builders design a modern city in China from scratch in the face of so many changing variables? How do they create cities that strike a balance between modern and traditional aesthetics? And what kinds of obstacles can they expect to face throughout this process? Featuring: Andrea Krupski von Mansberg : Architect & urban designer Li Shuwen | 李书雯 : Architect & urban planner Lars Ulrik Thom : Founder of Beijing Postcards Middle Earth is made by China Compass Productions and hosted by Aladin Farré. If you have a China-themed cultural project like shooting your next documentary or look for a specific talent, please get in touch! Recommended watching: - Imperial City Wall Relics Park, located on the east side of the Forbidden City in Beijing. - Xiangshan Central Campus of the China Academy of Art, located in Hangzhou, Zhejiang Province. Answers to the episode quiz: - The CCTV headquarters in Beijing is the most expensive building in China, with an estimated cost of $800 million (approximately 5.7 billion yuan). - Tiananmen Square has the same area as Vatican City, 0.44 km2 (0.17 sq mi). - Ordos (鄂尔多斯) may be the most famous Chinese “ghost town.” Located in Inner Mongolia, Ordos was supposed to house almost a million people working in the natural resources industry. With thanks to Brenden Gonsalves for graphic design & Sean Calvo for music support.

55分钟
5
6年前

#18 It Pays to Play: The Economy that Runs on Whimsy

Middle Earth - China’s cultural industry podcast

Send us a text Children’s entertainment is a growing industry in China, with many opportunities for flexible and innovative creators to produce marketable content. Prospects are particularly bright for those working at the intersection of children’s entertainment and education, which has long been an important source of revenue in a country where 93 percent of families pay out-of-pocket for tuition and related fees, according to a 2017 HSBC study. On this episode we discuss the economics of children’s entertainment in China, and how creators can engage in this corner of the market. Featuring: Kevin Geiger: Partner, Magic Dumpling Entertainment Natasha Shetye: Studio Manager, Thinkwell Group April Wang: Manager at Beijing Playhouse Middle Earth is made by China Compass Productions and hosted by Aladin Farré. If you have a China-themed cultural project like shooting your next documentary or look for a specific talent, please get in touch! Recommended watching and listening: -White Snake 白蛇: 缘起 (2019), a Chinese animated film. - Pleasant Goat and Big Big Wolf 喜羊羊与灰太狼, a popular Chinese animated TV series launched in 2005. Answers to the episode quiz: - Kung Fu Panda is the hit American animated film that, given the content, made many Chinese netizens openly question why China had not produced anything similar. - Honor of Kings (王者荣耀) is the video game that now features a time limit for children and teenagers playing it. -Wáng Fúmǎn (王福满), the real name of the schoolboy who braved an ice storm to walk to school and whose photo, complete with icicles in his hair, went viral on the Chinese internet — earning him the nickname “Ice Boy.” - Only 30 percent of proceeds at the Chinese box office went to animated films produced in China between 2011 and 2017. With thanks to Brenden Gonsalves for graphic design & Sean Calvo for music support.

53分钟
2
6年前
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