这是敏彻斯特评论首次推出小专栏，在【Meditation on Med/医疗题材作品鉴赏】中，我将聊聊触动我的那些（曾经兴趣了了的）医疗题材作品。能激发我如此观剧/阅读热情的，当然是本喵主演的《疼痛难免》，这是一部制作精良、节奏明快、人物鲜活的呈现英国公立医院妇产科悲喜剧的良心制作，按头推荐大家去看。 趁着这股子对该题材的热情，我还看了《杀死伊芙》的Jodie Comer主演的《援助》，这部影片刻画的是2020年春季一家利物浦护理院中的故事，在医疗物资匮乏的情况下，护理院所经历的黑暗时刻。 在下一集中，我将来聊一聊回忆录《当呼吸化作空气》。 Hello! You are listening to a mini series 'Meditation on Med' where I talk about medical-related TV, film or book. In this part, I talk about a hit British TV show This Is Going to Hurt and an acclaimed TV-film Help. Both works look at how Britain's health system functions under increasing stress. In This is Going to Hurt (03:26), we follow junior doctor Adam Kay's hectic life at labour wards during the year 2006. This is an ace TV production, tragicomedy at its best. I was utterly impressed by the ensemble: every small role shines and, for the leading actor, Ben Wishaw, needless to say, nailed the meanness and kindness of Adam beautifully. The show also allows us to look behind the system, to have a peek into how the medical legal system works, the drastic difference between a private hospital and an NHS one, among others. Major spoiler alert from 10:55 - 13:06 Really, you should have a look at this show: it is so good！ Help (14:02), starring the amazing Jodie Comer, is a much chilling TV-film. It follows Jodie's character Sarah, a new care-taker at a Liverpool Care Home, during the first wave of Covid-19 in 2020. The unapologetically raw depiction of care home workers and residents living with scarce PPE during the pandemic is difficult to watch. But Jodie's performance is moving and powerful. The film also brings back memories of mine during early 2020. Truly an important film of this era. In the next episode of this series, I'll dive into Dr Paul Kalanithi's memoir When Breath Becomes Air, another great piece of work on medicine, mortality, and the meaning of life. References This is Going to Hurt, dir. Lucy Forbes, 2022 Help, dir. Marc Munden, 2021 When Breath Becomes Air, Paul Kalanithi, 2016 Covid: What happened to care homes early in the pandemic? BBC, 28 May 2011 一车烂话：Vol. 91 为什么我还没有成为弃业医生 a podcast episode where I chatted with friends and ICU doctor Dr Lesley. Go have a listen. Music Born to Cry by Pulp 2 Wicky by Hoover/Hooverphonic

这一期来讲讲由荻上直子执导、生田斗真领衔主演的暖意融融的彩虹电影《人生密密缝》。这部电影对于女孩小友与作为trans女性的凛子之间的友谊有着动人的刻画，但片中不同的母亲角色更让我着迷。她们是关怀孩子的人，为孩子“密密缝”，但她们也在母职的路上屡屡失败，给不了孩子他们想要的身体，或是不理解孩子爱之所向，抑或无法成为一个为社会期待的“完美母亲”。 《人生密密缝》温情而深刻，推荐给大家。 Hiya! In this episode, I talk through a Japanese movie ‘彼らが本気で編むときは、’ （‘When They Knit in Earnest’ or ‘Close-Knit’）. Young girl Tomo comes to live with her uncle for the period of time when her mother leaves her alone to chase a hopeless love affair. Tomo embarks on a journey of coming to understand and make friends with her uncle's girlfriend Rinko, a trans woman. This is a heart-warming story about a girl learning to accept and stand up for the LGBTQ+ community, but also one that investigates the social prejudice towards trans woman and gay man. However, my point of interest lies beyond its obvious topic. I was captured by how this movie approaches care, create and motherhood. The movie showcases a myriad of ‘failed’ mothers: some have an estranged relationship with their kids, some failed to give their kids the gender they belong to, some simply don't understand or support their kids. One of them is Tomo's mother Mimura, the run-away single parent. Mimura’s story propels me to think about 'the absent experience of motherhood' in physical and biological contexts and how that (dis)enables the idea of a good mother. Highly recommend this movie x Music 物語のはじまりby 江藤直子 海by 江藤直子

这期节目来聊聊《救生圈：友情以上，出轨未满》这部小制作日剧。 我谈到导演风间太树的执导风格，细数几种推进剧情的用色，指出配角丰满的故事线让这部日剧远大于“全员出轨”这个噱头，最后也谈到自己对于“救生圈”的理解。 这是一部迷人的深夜档，推荐给大家。 Hi! In this episode, I talk about a manga-adapted low-budget Japanese TV show 'Lifebelt' (Ukiwa), which is directed by Kazama Hiroki （风间太树）and stars Kadowaki Mugi（门脇麦）. I knew Kazama san from Cherry Magic, and became fond of how he uses cinematography to tell the delicate exchanges of emotions between individuals, often in a workplace setting, and how he utilizes elements of fantasy to investigate longing between unlikely lovers. First I compare his works with that of Lucy Forbes and Benedict Spence, whose works include The End of The F***ing World. I point out Kazama and Lucy&Benedict are able to transform a seemingly cheesy story plot into something profoundly moving. Their takes on humor and awkwardness are spot-on. Their cinematography enhances the style of the production. Lifebelt follows Maiko, a newly-wed house wife, who discovers her husband Nakayama is cheating on her shortly after the couple moves to Nakayama's company's HD in Tokyo. In sadness, Maiko forms a bond with her neighbor/colleague to her husband Mr Futaba, whose wife is also cheating on him. The two neighbors, through their tiny everyday interactions, find themselves in a zone where they are closer than friends, but not quite lovers. Lifebelt asks: what keeps/drives people together? The show is charming, stylish, fun and enlightening with beautiful scenes and solid performances. Music 通过点 by 三浦透子

这期节目，我与烂木头畅聊了点燃这个夏天的德国拉拉真人秀相亲节目——《白马公主》，我们聊到“公主”何以成为公主、不同性格的选手、节目的意义、甄选流程、规则，比对英国真人秀《爱之岛》（Love Island）与《白马公主》的异同，还有那些我们大为震撼、深受感动、有被雷到的桥段，以及下一季的海选指南。 在聊天过程中，我们也了解到自己的思维盲区，以及不为自己所了解的“保守”一面，也让我们思考自己的观点是否是从直人审美中心主义出发的，认识到在如何更open-minded地了解世界的多元上，还有很长的路要走。 Hallo! Wie geht's? ;) In this episode, Lassie and I talk about 'Princess Charming', a German reality TV show that features a lady lead who is looking for the - wait for it- Princess in her life. This is the first lesbian dating show we've watched and we are obsessed with it!! We talk about what we love about the show, the girls, and what this show could improve in its second season (yeah). We point out that both Irina and the girl she finally picks may be a conscious choice, as the show endeavors to showcase a positive image of the lesbian community. Having said that, we don't doubt there is genuine emotion/affection between Irina and the girls, we are just questioning if 'representation' is a valid mission for a dating show, as courting can be lengthy, messy, and ambiguous. What if the lover is imperfect, what if the audience doesn't love the winner – will that make a difference? When we speak about raising visibility, is it a curated visibility we are referring to? When playing back the recording, I did notice that we've been conservative, especially when it comes to the talk about a possible bisexual lady lead. I've been thinking about our disagreement with a drama-filled courtship between the participants (rather than one between the lead lady and the participants), and I noticed that that may be one of the queerest parts of a queer romance: in the end, it is not a black-and-white situation as you are likely to fall in love with those who you are supposed to 'compete with'. I thought about if our perception of an 'orderly courtship' is a product of straight-centrism and whether what is thought to be natural is, in effect, one of the many cultural constructs? I suppose that's one of the things I am trying to do through podcasting: every episode is an attempt of spelling 'nuance' – to speak out what I love and what I dislike, to spell out what is great and what doesn't sound about right. It is only by trying to 'spell nuance' that I am able to see the nuances and difficulty of the process and, by doing that, to review what I have been taken for granted and what I have been overlooked. Every (sometimes failed) attempt is, nonetheless, a good attempt. Oh. If there's one thing I learnt from Princess Charming, that is: being single is NOT being vulnerable. After all, it's a show of 21 single girls, and it's wonderful. 02:40 The Real L Word, a lesbian reality TV show (focus more on life; documentary-like) 03:36 Princess Charming cast: every girl shines! 05:55 Princess Charming introduction 08:25 Originally, PC plans to have a bisexual woman as its lead 12:25 Love Island goals: love and money 16:13 Discussions about the show: mission of this program; intention of the participants; why Irina is天菜 30:10 The representation effort: good or problematic? 33:42 Common attributes of Irina and [spoiler alert] and the all the participants that we like and dislike 45:14 The one who impresses us the most (this part is golden! Please listen! Including Lassie's introduction of 相约星期六, a local dating reality show, and the part which moves us both the most) 52:40 Find love interest thanks to this show (and how 相约星期六 tied the knot for a friend of Lassie) 01:04:10 Then, the Princess and the Princess lived happily ever after… or? Lassie introduces Drawbridging Effect/Misattribution of arousal/吊桥效应. Music Good as Hell by Lizzo Lassie is the co-host of Rotten Cherry (search 一车烂话), a talk-show which you can find on almost any podcast platform. Go give them a follow!

这期节目我来谈谈一本爱不释手的回忆录《汉娜的重庆》，这本书由一位中德混血儿傅安娜书写，回忆了她在陪都度过的童年与少年时光。我谈到中德出版商在宣传此书时不同的角度，谈到汉娜作为一个德国外交官之女在抗战前后别样的人生故事，也谈到了她父母各自的人生经历。 Hallo! In this episode, I talk about a memoir Hanna's Chongqing written by a Chinese-German lady called Johanna Stahl. I visited 'Mountain City' Chongqing this April and couldn't stop thinking about it. This precious memoir about wartime Chongqing in the eyes of a young girl allows me to revisit its eventful and tumultous past through a very special lens lent by a daughter of a German diplomat. I talk a bit about the story behind its publication and I can't speak highly enough of its beautiful translation (06:23). For me, Hanna's Chongqing is both a coming-of-age story and a war reportage. Hanna's story helps me to understand the records on war in a much tangible and accessible way. I also talk a little about Hanna's adventurer-turned-diplomat father, and her Chinese mother's legendary journey. Hanna's Chongqing is a powerful memoir, and I highly recommend it! References 《汉娜的重庆》[德] 傅安娜 著 海娆 译 德语版：Schreie verstummen: Chongqing 1942-1952 论文 Redefining Wartime Chongqing: International capital of a global power in the making, 1938–46 by VINCENT K. L. CHANG and YONG ZHOU 播客 以明云书房：《汉娜的重庆》一个中德混血女孩记忆中上个世纪的重庆往事 by 译者海娆 Music Ich will dich vermissen by Namika

在这一集中，我通过电影《怎么了，艾达？》、战地纪实漫画《安全区戈拉日代》、日记《兹拉塔的日记》、回忆录《波斯尼亚清单》四部作品，来谈谈我所了解到的波斯尼亚战争，以及不同媒介对于战争刻画的异同。 I challenge myself in this episode to talk about a topic that I have long been interested in: the history of Bosnia-Herzegovina. Some six years ago, I was shocked to learn there was such a big war happening in Europe that I knew nothing about. Films like Quo Vadis Aida (06:07) and comic reportage Safe Area Gorazde (25:05) allow me to learn a little bit more about the odd turn of history and the sufferings of the civilians. Each of the four works I have covered here tells a story of a different place in Bosnia. Quo Vadis, Aida? looks at the Srebrenica Massacre. I argue that the film is smart in keeping 'a false glimmer' for the audience when its highly capable and brave heroine attempts to save her family from being killed by their neighbours-turned-tormentors. I point out the chilling line that happen in the execution room may be a comment on the status quo of European cinema, which had been remained silent on its dark recent past. Then I review the first two books I have read about BiH. Zlata's Diary (20:57) follows Zlata's everyday life in the war-time Sarajevo, while The Bosnia List (22:18) records Kenan's puzzling childhood in Brcko. Safe Area Gorazde is an excellent comic book that does not shy away from the traumatic experience of the town people of the then-enclave Gorazde. References 电影《艾达，怎么了？》Quo Vadis, Aida? (2020) directed by Jasmila Zbanic Safe Area Gorazde: The War in Eastern Bosnia 1992-1995 (2002) by Joe Sacco Zlata's Diary: A Child's Life in Sarajevo (1994) by Zlata Filipovic The Bosnia List: A Memoir of War, Exile and Return (2014) by Kenan Trebincevic The Clash of Civilization and the Remaking of World Order (1998) by Samuel P. Huntington Bosnian director Jasmila Zbanic: 'A film is more than a film. It is life', The Guardian

欢迎收听The Minchester Review! 这期节目来聊聊最近挚爱的一本小说《春天，相遇在巴尼斯百货》，这是日本作家吉田修一的作品，是前作《最后的儿子》的续篇。小说从五个章节一窥东京普通上班族筒井彰的人生。 当三十有几的筒井带着妻子、儿子在巴尼斯百货商店购物时遇见了前男友阎魔，筒井的心中会泛起多少波澜？ Hi!! Have you missed me? ;) In this episode, I talk about a Japanese fiction called Spring, at Barneys (2004) by Yoshida Shuichi, one of my favorite writers. Spring, at Barneys is a sequel to Yoshida's early novella The Last Son (1999). The early work tells the story of Tsutsui, of how he navigates his life as a young gay man, lives in a world that is malignant and violent to his community, and sways between a life as the boyfriend to someone he does not love and parents' demand of him to form a family. Spring, at Barneys sees Tsutsui in his 30s as he bumps into his former lover in the department store and ponders on his current life as a married man with a kid. I was mesmerized by Yoshida's nuanced writing, which looks into the seemingly mundane moments of life, and the eventual emotional outbreak of a man who seems to be living a life he is contented of. The writing is effortless and piecing. I tried to translate a few passages that I am very fond of. (23:39) I talk a bit about the adapted film, which stars Nishijima Hitedoshi (*swoon*). I also talk about how the idea of 'the past' intertwines with Tsuitsui's escapism. By analyzing a small episode where his father rejects his dream of studying in the US, I argue that the idea of studying/living abroad, as it invites a new form of language, allows physical detachment, and forms a space of literal 'different time zone', embodies the ultimate illusion of freedom and possibilities. 02:30 Introduction of The Last Son 08:00 Introduction of Spring, at Barneys 29:04 TV-Film of Spring, at Barneys 36:54 Some expanded readings including how 'the past is a foreign country' plays out in Yoshida's novel. References: 《最后的儿子》 [日] 吉田修一 《春天，相遇在巴尼斯百货》[日] 吉田修一 In the Dream House by Carmen Maria Machado 电视剧《昨日的美食》 电视电影《春天，相遇在巴尼斯百货》 The Go-Between by L.P.Hartley Music: Comes a Time by Grateful Dead

这一集，我与烂木头一起来聊聊一部电影《前程似锦的女孩》，这部电影由凯瑞•穆里根主演，是《杀死伊芙》第二季的制片人Emerald Fennell的第一部剧情长片。 这部讲述女性复仇的影片究竟看了让人拍手称快，还是一部撒着喜剧糖霜的悲剧？使用流行歌曲会不会削弱为好友复仇的沉重主题？这部充满糖果色的影片竟让烂木头想起了金基德电影中不按常理出牌的救赎戏份？反高潮的结局中是否暗含希望的种子？ Hello! In this episode, I've invited Lassie to join me in discussing Promising Young Woman, a film starring Carey Mulligan and is the first feature film by British director/writer/author/actress Emerald Fennell. She is a show runner for Killing Eve S2 and plays the part of the Duchess of Cornwell in the Crown. You might spot a girl like Cassie in a Friday night club. She's wasted – apparently, phoneless and friendless. 'Do you need help?' you ask and she takes the favor. Minutes later when you tell the cab driver to change the destination to your place, it is, however, you who have no idea how this night will unfold. We talk about how we love the unforgettable character Cassie yet can't help but feel doubtful of her motivation and if her plan can actually work. We try to read behind this enigmatic title, and discuss the costumes, music, and cinematography. Lassie also compares the film with Samaritan Girl《撒玛利亚女孩》and Pieta《圣殇》by Korean director Ki-duk Kim（金基德）, drawing attention to the atonement between women. While Cassie is not a good model, PYW is hilarious and heart-breaking at the same time; it is urgent and thoughtful. Highly recommended! 01:40 Spoilers - film introduction 13:17 Why the film is called Promising Young Woman when Cassie is neither promising nor young 20:49 Cassie's behavior reminds Lassie of what happens between the female characters in Ki-duk Kim's Samaritan Girl and Pieta. 32:06 Warning from Lassie: Do not follow Cassie's actions! They can be dangerous to you. 32:45 The relationship between Ryan and Cassie is a false glimmer. 43:15 Catherine finds hope from a lineless small character. music Toxic by Britney Spears Last Laugh by Fletcher Lassie is the co-host of Rotten Cherry (search 一车烂话），a talk-show which you can find on almost any podcast platform. Go give them a follow!

欢迎收听第二季的“敏彻斯特评论”广播节目！今天这期，我来讲讲喜爱的歌手路易•汤姆林森（Louis Tomlinson）的故事。我将用五首歌曲，带你了解丝丝（昵称，虽然s不发音）从一名One Direction的乐队成员成长为一名优秀的solo歌手的历程。 开头是我关于“粉丝如何讲述偶像故事”的一些思索，介绍丝丝从04:15开始。 Hiiii Welcome to Season 2 of the Minchester Review! I'm very happy to introduce you to one of my favorite singers Louis Tomlinson. Through five tracks, I talk about his music and life. 00:05 'Defenseless' - Early this Feb, this track single from Louis's debut Album WALLS was promoted by fans to reach No.1 on iTunes Worldwide Chart, one year after its release. 08:40 'Strong' by One Direction – Louis is a co-writer of this one and he has written over 1/3 of 1D songs; Strong is one of my fav :) 12:52 'Back To You' by Louis and Bebe Rexha – Fans see this duet a metaphor of Louis's not-always-smooth relationship with his label; highly recommend this MV! A duet that refuses to sexualize females. 15:25 'Two of Us' – a song Louis dedicates to his late mother Jay. 20:56 'Kill My Mind' – a Louis's favorite (and mine!) that tells much about his music inspirations (Oasis, Arctic Monkey etc) Before I start talking about Louis (from 04:15), I go through a question list that I've been thinking about lately: how do we (fans) tell the story of an artist that we like? How do we prove our point that (s)he is excellent/brave/inspirational? Where do we draw the line between their professional achievements and what happen to their personal life? How do we decipher the agenda of media coverage while relying on them as our limited sources? How do we find truth; how do we share passion; how do we talk about love? I guess that's the point of writing and talking about things on podcast; it is this process that requires me not just to collect 'evidences', to prove a point, but also to examine this process itself. I hope you like this episode; do check Louis's music!! xx

在年末奉上最新磕研成果：一篇三千多字的关于《到了30岁还是处男，似乎会变成魔法师》的小论（tu）文（cao）。节目中，我细数这部让我魂牵梦萦的日剧怎样在奇幻的门类下，呈现真实动人的绝美爱情；我也过度解读了这部剧怎样在清水的情节中，依然探讨了酷儿的渴望与身份；当然，我也发出了lsp的呐喊。《樱桃魔法师》有瑕有瑜，但这次同步追番、研究嗑学家小论文+购入同款的立体观剧经历，着实十分难忘。 On New Year's Eve, I want to share with you my review of a Japanese TV show called: Cherry Magic! 30 Years of Virginity Can Make You a Wizard?! It tells the story of a socially awkward 30-year-old virgin called Adachi. After gaining the magic to read other people's mind, he quickly finds out his colleague Kurosawa has been secretly in love with him for 7 years! ---剧透分割线 Spoiler Alert---- 05:55 A timely show for me because I was turning 30 when I heard of it 08:34 CM and the genre of fantasy 11:55 Both Cheri Maho and Netflix's YOU discuss 'boundary' in relationship 17:08 My take on ep11 and why I like how the focus of the show turns to the interior 24:03 Cheri Maho creates queerness inside of queer people; magic as an allegory of coming out Music: 産声 by Omoinotake Good Love Your Love by Deep Squad

这集来聊聊《知晓我姓名》与《What Makes Us Stronger》，两本书都出自于勇敢的年轻女性之手，回顾了她们遭遇的巨大创伤，以及其自我拯救之路。 These are the real-life stories of two brave young women. One is Chanel Miller, a rape survivor. Chanel authored Know My Name, a brilliant and beautiful memoir about her traumatic experience and how she was helped and self-helped to navigate the long and difficult trial process. Another is Freya Lewis, who survived the Manchester attack, which took her friend Nell's life and caused her 29 injuries. However, she managed to bounce back and ran 2.5 km one year after the attack while raising 60,000 GBP for the hospital. In Know My Name (01:10), what I found most touching and inspiring is how Chanel argues against the myth of 'perfect victim'. She is not perfect - and that makes her real, genuine, vulnerable, honest and brave. In What Makes Us Stronger (12:05), apart from the details of the attack, I also learnt about the stories behind the photos taken by 1D fan Freya and Harry who also comes from Holmes Chapel, and Louis who presented her with the NHS Hero Award. They are two truly inspiring books and I highly recommend them! music: Moonlight by Ariana Grande

这期节目，我与烂木头（Lassie）继续探讨勃朗特姐妹的话题，我们聊了聊三姐妹如何从卖出三册书并遭恶评的打击中振作起来，社恐夏洛蒂与社交达人盖斯凯尔夫人的友谊，“逾矩”的哥特小说之魅力，我在斯卡布罗的海边吃海螺失败的经历等等。 Hiya! In this episode, Lassie and I continued our topic of the Bronte sisters: this time, we focused on their life stories and their wonderful novels (and poetry). We also talked about other Bronte-related places one could visit. 05:33 Thackery had guessed the author of Jane Eyre must&`&ve been female. 07:30 What would the common readers&`& reception of Brontes&`& works be like? 09:23 Not all English local people know George Elliot was a woman. 16:40 Their poetry collection sold 3 copies, but that didn&`&t kill the dream of the Bell brothers aka Bronte sisters. 18:07 Publisher Newby claimed the Bells are the same person, saying Tenant&`&a author wrote Jane Eyre and Wuthering Heights. 19:17 Emily refused to disclose her real identity to the publishers. 31:36 Virginia Woolf&`&s comment on the difference between JE and WH may shed light on the changing perception of the two novels. 33:55 Lassie once hid JE under her duvet. 39:35 Catherine was delightfully shocked by the scandalous plots in WH. 43:05 Chinese TV shows《梦幻花园》(Dream Garden) and《庭院深深》(A Very Deep Manor) played with familiar motifs of JE. 44:04 The timeless story of the Tenant of Wildfell Hall. 51:45 Catherine found it difficult to grasp the religious and historical context of the novels, but their life story was easily accessible. 56:19 Catherine was food poisoned in Scarborough when paying visit to the place where Anne Bronte passed away. 01:00:18 In The Poet&`&s Corner of Westminster Abbey, a plate was dedicated to the sisters. 01:03:14 Recommended Readings Music: John Williams, Jane Eyre (1970) OST - Jane Eyre Theme; Reunion.