vol.2 白人能讲好少数族裔故事吗？从普利策名作到东/南亚草台班子
日落烩面
00:00 白人可以讲述少数族裔的故事吗？
02:30 一个关于前黑人警察的故事：《在河畔与疯狂之间》
05:00 主演演员究竟是不是黑人？我们该如何定义“黑人”？
10:20 种族研究中的“交叉性”概念
13:40 观剧体验中的“理性抽离”与“冲昏头脑”
15:30 关于黑人故事的刻板印象与“意料之外”
19:50 西方治疗没办法作用于东方头脑？
30:30 东亚叙事中的“顾左右而言他”
36:52 男人可以写好女性角色吗？
49:54 书写少数族裔的故事是在贩卖创伤吗？
54:26 生活中“被代表”的时刻？
1:02:11小美人鱼可以是黑人吗？以及网飞中的亚裔角色
1:13:01 我们如何共情超级英雄电影？以及美国电影中根深蒂固的种族主义
1:19:24 少数族裔之间的联合
1:20:38 讨论这些问题对中国的意义
1:23:00 《我的阿勒泰》中城市中产对少数民族的寄托和想象
1:24:37 我们需要怎样的少数族裔故事？
1:37:49 何为“白人特权”？
本期节目讨论的两部剧/活动：
1. Embassy Retrospective: An ESEA Perspective
An event to celebrate the presence and perspectives of the diverse and often unrecognized East and Southeast Asian community in British, in collaboration with Central's associate company New Earth Theatre. Starting from the history of Chinese Australian actress Rose Quong, who performed on the Embassy Stage in 1929, the event celebrates the presence and perspectives of the diverse and often unrecognized East and Southeast Asian community in British theatre. The event includes a performance of All Other Passports, written by Joanne Lau (Worth, Arcola Theatre). All Other Passports was created and written in collaboration with New Earth Performer's Academy+ 2023, and originally directed by Broderick Chow and Rebeca Pereira-Gonzalez, with choreography by Richard Lee, and will be performed by the original cast members.
2. BETWEEN RIVERSIDE AND CRAZY
BY STEPHEN ADLY GUIRGIS
DIRECTED BY MICHAEL LONGHURST
www.hampsteadtheatre.com
