#22 Screenwriting for Chinese audiences

Send us a text What is it like to work as a storyteller in the Chinese film and TV industry? What is the relationship between producers and scriptwriters? How can one write a story that will resonate with Chinese audiences, and what is the market looking for? This podcast, recorded live at the The SLab in Beijing, explores these questions and the trials and tribulations of writing for the big screen. Featuring: Cai Jinru | 薄荷菜 : Screenwriter Jordan DeFazio : Screenwriter & Lecturer at the Beijing Film Academy Joey Wang : Screenwriter Middle Earth is made by China Compass Productions and hosted by Aladin Farré. If you have a China-themed cultural project like shooting your next documentary or look for a specific talent, please get in touch! Recommended watching: - Jordan’s Music Video - I Love My Family 我爱我家 (1994) - Nothing in the Mirror 空镜子 (2002) - My Own Swordsman 武林外传 (2006) - Dwelling Narrowness 蜗居 (2009) - Nirvana in Fire 琅琊榜 (2015) -Burning Ice 无证之罪 (2017) Answers to the episode quiz:- - Yanxi Palace( 延禧攻略) is the TV show that has been the most Googled in 2018. - There has been 29 cinematographic adaptations of Journey to the West over 9 decades. - Looper (2012) was the first film to make additional scenes for the Chinese audience. It was followed in 2013 by “Iron Man” and “21 and Over”. With thanks to Brenden Gonsalves for graphic design & Sean Calvo for music support. The World of Chinese Magazine A magazine about Chinese society, culture, history, arts, language, and more.

63分钟
2
5年前

#20 Making a Metropolis: Contemporary Chinese Architecture and Urban Planning

Send us a text The pace of urbanization in contemporary China is nothing short of dizzying. Seventy years ago, at the time of the establishment of the People’s Republic of China, 80% of the population were farmers based in rural areas. Now, over 60% of all Chinese citizens live in cities of various sizes, and it is projected that by 2030, the number of urban dwellers will exceed 1 billion. As one would expect, the challenges that these dynamics pose to Chinese architects and urban planners are staggering. So how do these beleaguered builders design a modern city in China from scratch in the face of so many changing variables? How do they create cities that strike a balance between modern and traditional aesthetics? And what kinds of obstacles can they expect to face throughout this process? Featuring: Andrea Krupski von Mansberg : Architect & urban designer Li Shuwen | 李书雯 : Architect & urban planner Lars Ulrik Thom : Founder of Beijing Postcards Middle Earth is made by China Compass Productions and hosted by Aladin Farré. If you have a China-themed cultural project like shooting your next documentary or look for a specific talent, please get in touch! Recommended watching: - Imperial City Wall Relics Park, located on the east side of the Forbidden City in Beijing. - Xiangshan Central Campus of the China Academy of Art, located in Hangzhou, Zhejiang Province. Answers to the episode quiz: - The CCTV headquarters in Beijing is the most expensive building in China, with an estimated cost of $800 million (approximately 5.7 billion yuan). - Tiananmen Square has the same area as Vatican City, 0.44 km2 (0.17 sq mi). - Ordos (鄂尔多斯) may be the most famous Chinese “ghost town.” Located in Inner Mongolia, Ordos was supposed to house almost a million people working in the natural resources industry. With thanks to Brenden Gonsalves for graphic design & Sean Calvo for music support. The World of Chinese Magazine A magazine about Chinese society, culture, history, arts, language, and more.

57分钟
5
5年前

#18 It Pays to Play: The Economy that Runs on Whimsy

Send us a text Children’s entertainment is a growing industry in China, with many opportunities for flexible and innovative creators to produce marketable content. Prospects are particularly bright for those working at the intersection of children’s entertainment and education, which has long been an important source of revenue in a country where 93 percent of families pay out-of-pocket for tuition and related fees, according to a 2017 HSBC study. On this episode we discuss the economics of children’s entertainment in China, and how creators can engage in this corner of the market. Featuring: Kevin Geiger: Partner, Magic Dumpling Entertainment Natasha Shetye: Studio Manager, Thinkwell Group April Wang: Manager at Beijing Playhouse Middle Earth is made by China Compass Productions and hosted by Aladin Farré. If you have a China-themed cultural project like shooting your next documentary or look for a specific talent, please get in touch! Recommended watching and listening: -White Snake 白蛇: 缘起 (2019), a Chinese animated film. - Pleasant Goat and Big Big Wolf 喜羊羊与灰太狼, a popular Chinese animated TV series launched in 2005. Answers to the episode quiz: - Kung Fu Panda is the hit American animated film that, given the content, made many Chinese netizens openly question why China had not produced anything similar. - Honor of Kings (王者荣耀) is the video game that now features a time limit for children and teenagers playing it. -Wáng Fúmǎn (王福满), the real name of the schoolboy who braved an ice storm to walk to school and whose photo, complete with icicles in his hair, went viral on the Chinese internet — earning him the nickname “Ice Boy.” - Only 30 percent of proceeds at the Chinese box office went to animated films produced in China between 2011 and 2017. With thanks to Brenden Gonsalves for graphic design & Sean Calvo for music support. The World of Chinese Magazine A magazine about Chinese society, culture, history, arts, language, and more.

55分钟
2
5年前

#17 Artful Entrepreneurs: Running a Cultural Venue in Beijing

Send us a text This week on the Middle Earth Podcast, Aladin sits down over a pint with Sun Yao (孙遥), the proprietor of his favorite local cultural venue-cum-cafe, to talk about the business end of the cultural industry in China. Like the owners of many niche bars and cafes across China, Sun seeks to turn a profit at his hutong establishment, Camera Stylo, by screening films, hosting live events, and otherwise trying to make art pay. A film buff and dedicated entrepreneur, Sun shares his four years of experience running a small business in the hutongs of Beijing trying to bring films and cultural conversations to his diverse clientele. In spite of a rough early start — some of which he spent sleeping in the cafe itself — Sun has managed to ensure Camera Stylo has been able to survive and thrive in a challenging environment. Featuring: Sun Yao | 孙遥 : Proprietor of Camera Stylo Middle Earth is made by China Compass Productions and hosted by Aladin Farré. If you have a China-themed cultural project like shooting your next documentary or look for a specific talent, please get in touch! Recommended watching and listening: - Aotu Space 凹凸空间 (WeChat Account: aotuspace_bj) - China Film Archive 中国电影资料馆 | Website With thanks to Brenden Gonsalves for graphic design & Sean Calvo for music support. The World of Chinese Magazine A magazine about Chinese society, culture, history, arts, language, and more.

23分钟
1
5年前

#16 Metacast: A Podcast Episode about Podcasts

Send us a text Podcasting is rapidly becoming the next boom industry in China, with approximately 80 million daily downloads of podcasts and a projected audience of 486 million total. When it comes to putting a number on the industry, however, things get less clear. Some estimate that China’s podcast industry is worth upward of $7 billion, citing a report by China’s State Administration of Press, Publication, Radio, Film, and Television. However, this figure is likely somewhat off the mark — the $7 billion figure refers only to “pay for knowledge” programming, that is, educational shows that consumers pay for directly. A more comprehensive number that takes into account free content or podcasts supported by advertisements remains elusive. By comparison, podcasters based in the U.S. made an estimated $314 million in 2017, a number that is projected to double by 2020. Meanwhile, the U.S. “pay for knowledge” industry is estimated to have earned $12 billion in 2016, according to our peer podcast also available on the Sinica Network, TechBuzz China by Pandaily. Featuring Joshua Thomas Ogden-Davis : Writer & Podcaster at Ximalaya (喜马拉雅) Kou Aizhe | 寇爱哲 : Founder & Host of Story FM (故事FM) Yu Wanying | 于婉莹 : Founder & Host of Museelogue( 博物志) Middle Earth is made by China Compass Productions and hosted by Aladin Farré. If you have a China-themed cultural project like shooting your next documentary or look for a specific talent, please get in touch! Recommended watching and listening - "Digitally China", a podcast about China’s tech innovation. - "Chinese Cooking Demystified", a YouTube cooking show. - 日谈公园, a Chinese podcast about China’s culture today. - 忽左忽右, another Chinese podcast about China’s culture today. Quiz's answers - Ximalaya claimed $100 million dollars of revenue in 2017. - Cai Kangyong (蔡康永) earned 35 million RMB with his podcast "Good Talk" (好好说话). - Zeng Pengyu (曾鹏宇) had his book content shamelessly stolen by the podcast "Peaceful Goddess" (平安娘娘). With thanks to Brenden Gonsalves for graphic design & Sean Calvo for music support. The World of Chinese Magazine A magazine about Chinese society, culture, history, arts, language, and more.

61分钟
10
5年前
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