欢迎到豆瓣收听《废话燃料》第77届戛纳电影节相关节目，感谢豆瓣的支持！

一部看起来充盈而柔和，甚至是有几分天真的电影，只是因为不回避冲突，就遭到了404的结局，不禁让人唏嘘。

直到娄烨导演离开戛纳，他都未曾接受一家华语媒体的采访。据朋友回忆，临近首映的那几天，剧组主创在街上看到中国记者，都会投来警惕而审慎的目光。个中原因不难理解，毕竟导演手上还有一部制作规模较大的影片等待上映，但关于这部影片幕后详尽的故事，我们仍旧一无所知。

我相信，这部这部电影仍处于未完成状态，直到它能跟更多中国观众见面，在大家能够不必跟法国安保傻大个掰扯、不用赶公交车，也能静静地看完的时候。

0:47 开胃菜

1:07 干货分享：怎么要到心爱影人的签名合照

8:53 在戛纳最要紧的事，想到了一定要立马去做

12:09 放弃戈达尔遗作唯一一场放映赶场去看娄烨，谁能有我痛苦？（还没赶上）

14:39 中国影迷一起堵在路上

15:53 主菜

16:26 由《春风沉醉的夜晚》未公布镜头而衍生出的新故事

19:16 秦昊在《春晚》和《风雨云》里角色的连接

20:00 疫情爆发下的剧组生活

21:17 伪记录和伪剧情的两个极点

22:05 娄烨追求艺术尝试的方向改变

25:09 竖屏格式的创新运用

30:10 张颂文分享过娄烨在片场的状态

32:57 困在窗口中的视点

39:34 “告状电影”？

45:42 记录讲述等于指控？

49:53 还会有第七代导演吗？如果有，他们需要具备什么素养？

56:00 甜点

57:02 《风流一代》首映后，第六代导演的同年作品大对比

Shownotes in English:

Welcome to Douban.com to listen to the program related to “NonsenseFuel” 77th Cannes Film Festival, thanks to Douban!

A movie that seemed full and soft, even a little naive, was met with a 404 ending just because it didn't avoid the conflict, and one can't help but be saddened.

Until director Lou Ye left Cannes, he had never accepted an interview with a single Chinese-language media outlet. According to a friend's recollection, in the days leading up to the premiere, when the cast and crew saw Chinese journalists on the street, they would cast a wary and cautious gaze. It's not hard to understand why. After all, the director has a bigger movie on his hands waiting to be released, but we still don't know anything about the detailed behind-the-scenes story of the movie.

I'm sure the movie will remain unfinished until it reaches a wider audience in China, when we can all watch it in peace without having to wrestle with French security giants or catch a bus.

0:47 Appetizer

1:07 How to get an autographed photo of your favorite filmmakers

8:53 The most important thing to do in Cannes is to do it as soon as you think of it!

12:09 Abandon the only screening of Godard's last film to go see Lou Ye, who can share my pain? （I haven't caught up yet.)

14:39 Chinese moviegoers are stuck in traffic together.

15:53 Main course

16:26 A new story derived from unreleased footage of Spring Fever

19:16 Connection between Qin Hao's roles in Spring Fever and The Shadow Play

20:00 Life on the set under the epidemic outbreak

21:17 The two poles of pseudo-documentary and pseudo-drama

22:05 Lou Ye's change of direction in pursuit of artistic experimentation

25:09 The innovative use of vertical screen format

30:10 Zhang Songwen shared Lou Ye's condition on set

32:57 Point of view trapped in a window

39:34 “Sue movie”?

45:42 Record telling equals accusation?

49:53 Will there be a seventh generation of directors? If so, what qualities do they need to have?

56:00 Dessert

57:02 After the premiere of Caught by the Tides, a big comparison of the same year's work by the sixth generation of directors