欢迎到豆瓣收听《废话燃料》第77届戛纳电影节相关节目，感谢豆瓣的支持！

来戛纳很重要的一个理由就是见世面，今天要讲的，入围主竞赛单元的恐怖片《某种物质》（现豆瓣已更名为《实体》）就让我们大开眼界。走出影厅大门，大家不约而同地看看对方，走近一些，温暖彼此僵硬的身躯。

看过导演科拉莉·法尔雅前作《复仇战姬》的朋友，应该都能想象到她的风格，但在看这部新作之前，一定想象不到她做到的程度。

向那些敢于“掀开房顶”的创作者致敬，尽管她给所有人带来了折磨。

本期嘉宾：《抛开书本》特约记者忠泽

0:46 别开胃菜了，没胃口

3:26 观影过程中，开始了羞耻的身体自检工作

5:30 保护好弱小可怜又无助的自己

6:31 “破茧化蝶”的设定，合理的逻辑

10:40 观影生涯仅见的尺度

11:40 和“身体恐怖”类型大拿柯南伯格电影的对比

13:53 嘹亮的影像宣言

16:25 女性电影崛起的讯号：“自食恶果”

19:04 戛纳选片团队为啥把它选进主竞赛？

21:24 允许掀房顶的人存在

Shownotes in English:

Welcome to Douban.com to listen to the program related to “NonsenseFuel” 77th Cannes Film Festival, thanks to Douban!

One of the most important reasons to come to Cannes is to see the unimaginable stuff, and today we are going to talk about it, and the horror film “The Substance” , which has been shortlisted for the competition section, is an eye-opener for us. Walking out the door of the theater, we all look at each other in unison and come closer to warm each other's stiff bodies.

Anyone who has seen director Coralie Fargeat's previous film, Revenge, should be able to imagine her style, but before seeing this new film, one must not have imagined the extent to which she has gone.

Hats off to the creator who dared to “lift the roof” despite the torture she inflicted on everyone.

0:46 No more appetizers. No appetite.

3:26 During the movie, the shameful body self-examination begins

5:30 Protect your weak, pathetic, helpless self.

6:31 “Butterfly in a cocoon” setting, reasonable logic

10:40 The only scale you've ever seen in your movie-going career.

11:40 Comparison with “body horror” genre master Cronenberg's movie

13:53 A Loud and Clear Video Manifesto

16:25 A sign of the rise of women's cinema: “Self-Eating”

19:04 Why did the Cannes selection team choose it for the main competition?

21:24 Anybody who lifted the roof is allowed to exist