欢迎到豆瓣收听《废话燃料》第77届戛纳电影节相关节目，感谢豆瓣的支持！

本届戛纳已经接近尾声，大家达成共识，确实是主竞赛入围影片平均质量较为拉垮的一届。尤其是一些名导新作，轮番地让我们失望。

就在这个时候，我们看到了肖恩·贝克导演的《阿诺拉》。这部电影延续导演一贯对性工作者的关注，然而主人公的年龄却下移到23岁。这是一个标志性的节点，意味着他的焦点终于清晰地对准了千禧一代。所谓跨越阶层的“美国梦”当然不变，但新鲜的是，新世代青年女性对于强权的态度，她们不再沦为附庸，哪怕是以抓马狗血、啼笑皆非的方式，也不失为一种充满活力的表达。

今天就跟@忠泽 一起，聊聊《阿诺拉》拿到场刊最高分的强大魅力来源何处。

0:31 开胃菜

1:14 戛纳主竞赛排片，午夜场没有好东西？

4:56 在欧美国家看晚场电影散场后的遭遇

9:06 面对流浪汉，一定要擦亮眼睛

10:05 等公交车被人拿绿光笔晃的经历

14:16 主菜

14:29 《阿诺拉》女主名字的讨论

17:10 风月服务人员与寡头之子的激情故事

17:43 近年肖恩·贝克作品中女主角身份的连续性

19:18 阿诺拉在影片前半部分融入于环境之中

20:27 与《野性钻石》《霓虹恶魔》等同类年轻女性主角的作品类比

23:37 奢靡生活的加速享受

25:13 知道会有转折，但还是会为阿诺拉担心

26:59 看David Dobrick vlog 的观感，一些私人回忆

29:24 性生活的多义性

32:37 麻烦到来，闹翻天小队成立

34:35 女性力量和制度自信

42:24 类似对俄罗斯人描写有趣的美国片《俄罗斯方块》

43:29 素材积累，人文关怀

47:29 情理之中，意料之外的最终落点

50:58 延伸讨论好莱坞电影的工业体系，沉疴与创新并存

51:37 戛纳和好莱坞的共谋关系

55:46 甜点

56:05 《酱园弄》的首映场

57:25 戛纳首映场的着装要求

Shownotes in English:

Welcome to Douban.com to listen to the program related to “NonsenseFuel” 77th Cannes Film Festival, thanks to Douban!

As this year's Cannes draws to a close, there is a consensus that the average quality of the films selected for the competition has indeed been a bit of a downer. In particular, some of the newer films from famous directors have been roundly disappointing us.

It was at this point that we saw Anora, directed by Sean Baker. The movie continues the director's usual focus on sex workers, yet the age of the main character moves down to 23. This was a landmark point, meaning that his focus was finally clearly on the millennial generation. The so-called “American dream” of transcending class remains unchanged, but what is new is the attitude of the new generation of young women towards the powerful, who are no longer subordinate, even if it's in a gripping and hilarious way, which is still a vibrant expression.

Join @Zhongze today as we talk about what makes “Anora” the highest rated movie in the field.

0:31 Appetizers

1:14 Cannes Competition scheduling, no good for midnight showings?

4:56 Encounters after a late movie in Europe and the US

9:06 Always keep your eyes peeled when confronted by a homeless person

10:05 Waiting for the bus and being shaken with a green pen

14:16 The main course

14:29 Discussion on the name of the female lead in Anora

17:10 Passionate tale of a pornographic industry waitress and the son of an oligarch

17:43 Continuity of heroine identity in recent years in Sean Baker's work

19:18 Anora's integration into her environment in the first half of the movie

20:27 Analogies to similar works with young female protagonists such as Wild Diamond and The Neon Demon

23:37 The accelerated enjoyment of an extravagant lifestyle

25:13 Knowing there will be a twist, but still worrying about Anora

26:59 Watching David Dobrick's vlog, some personal memories

29:24 The multiplicity of sexuality

32:37 Trouble arrives, the Funky Squad is formed

34:35 Female empowerment and institutional confidence

42:24 American movie Tetris, similarly interesting portrayal of Russians

43:29 Accumulation of material, human interest

47:29 Reasonable and unexpected final landing point

50:58 Extended discussion of the industrial system of Hollywood cinema, dreary and innovative at the same time

51:37 The complicity between Cannes and Hollywood

55:46 The dessert

56:05 The premiere of She Got No Name

57:25 Dress code for Cannes premiere